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Who’s Afraid of Virginia Woolf?: Gillian Anderson is magnificent
The Standard of Living: James Graham’s joyfully Stoppardian new play
Tru: Jesse Tyler Ferguson excels as a waspish Truman Capote
The Last Ship: Sting's musical is as solemn and ponderous as a tanker
Thelma and Louise at the Young Vic: Did this need to become a musical?
Mad Spirit: Meet the wildest new theatre company in town
Wicked’s 20th birthday in London celebrated with Royal Mint coins
Golden Boy review: O'Connor and company are a knockout
Thelma And Louise writer hopes to raise awareness of violence on women
Man to Man at Royal Court: A major event, if a little boring
Tartuffe (Remixed): Mark Rylance stars in cheerfully scrappy reboot
The Children: Meera Syal excellent in post-apocalyptic drama
Bloodsport: After Helen of Troy - A riposte to toxic masculinity
Amy Tara: 'Horror paints women really well… they’re actual people'
For Colored Girls Who have Considered Suicide/When the Rainbow is Enuf
Kimberly Akimbo: Witty musical about a teen with an ageing disorder
Teri Hatcher joins West End cast of The Devil Wears Prada: The Musical
The Story: Cracking melodrama about race and the media in America
Beetlejuice announces early West End closure despite wowing critics
A Month in the Country: Sophie Okonedo makes a fine return
Electra/Persona review: Strong performances can't save this misstep
Maureen Lipman hits back at actor who quit show over pro-Israel views
Jonathan Bailey drops out of London musical after Ariana Grande exit
Who Killed Marilyn?: This is my first ever zero-star review
A Slow Fire review: From ashes to ashes, guff to guff
Sold-out stage adaptation of hit film Pride transfers to the West End
Abigail's Party review: A deeply enjoyable dinner party from hell
Grace Mouat: Death Note is a massive moment for Asian representation
Death Note the Musical at the Barbican: Childish manga adaptation
How The Other Half Loves at the Old Vic: Implausible and dated farce
Cats at Regent’s Park Open Air Theatre: Deeply, deeply silly
I'm Every Woman – The Chaka Khan Musical: Tedious and utterly un-funky
Love's Labour's Lost at the Globe: Lusty and joyful
Cleansed at the Almeida: A gruelling, gripping orgy of cruelty
The tao of Glass: Mystical Philip Glass musing has moments of magic
'Cabaret is an important story – it needs attention to be paid to it'
Grease star Didi Conn says ‘nobody’ anticipated film's success
Trainspotting The Musical: Woefully misconceived ★☆☆☆☆
The best West End show savings this summer with LOVEtheatre
Midnight at the Never Get: Polished if schmaltzy musical
The Oresteia at the Bridge: Thrillingly stripped back and bloody
Isis Hainsworth on her Olivier-nominated role in Arcadia
Jesus Christ Superstar: An OTT, aorta-pumping concert-style production
The best family-friendly shows to book with LOVEtheatre this summer
Archduke at Royal Court: An amusing look at young male radicalisation
To Kill a Mockingbird at Wyndham's: Supremely well put-together
Arcadia at Duke of York’s: A magnificent monument to Tom Stoppard
The Guilty at Donmar Warehouse: Short, sharp and shocking
Springwood at Hampstead Theatre: Humdrum and monotonous
West End performers 'unwell' in heat as theatres urged to delay shows
Pride review: Loving musical adaptation of the feel-good film
The Truth review: Mangan nails this polished French infidelity comedy
Cyrano de Bergerac review: A conquering hero and a bittersweet joy
Sinatra the Musical at Aldwych Theatre review: Frankly disappointing
The Misanthrope: Sandra Oh kills it in an updated, mixed-bag Molière
Much Ado About Nothing review: A deliciously detailed take
Glengarry Glen Ross: Compellingly new and strange all-female staging
One Day musical announces West End transfer as full cast revealed
Radiohead’s reworked version of Hamlet announces Barbican run
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