Editorial – Vol 9 Issue 1 – February 2026
Citation: Ed McKeon (2026) “Editorial”, Riffs: Experimental Writing on Popular Music 9(1): 4-5. DOI: 10.82600/h7b4-9z33
A conversation with Anat Ben-David
Citation: Ed McKeon and Anat Ben-David (2026) “’They want to control the weird thing, so weird things become not weird …
Esther Windsor
Citation: Esther Windsor (2026) “Rise Flap Lick”, Riffs: Experimental Writing on Popular Music 9(1): 19-40. DOI: 10.82600/z6bp-be85
BAPZ ON CRACK
Citation: Tamara Woodrow and Evelynn Wenman (2026) “Bapz on Crack”, Riffs: Experimental Writing on Popular Music 9(1): 41-45. DOI: 10.82600/8jva-zh28
Gavin Wade
Citation: Gavin Wade (2026) “Notes on 60 Verses / Endless Verses (2018–ongoing)”, Riffs: Experimental Writing on Popular Music 9(1): 46-52. DOI: 10.82600/xd9j-t253
Ed McKeon
Citation: Ed McKeon (2026) “What’s (Visual) Art Got To Do With It?”, Riffs: Experimental Writing on Popular Music 9(1): 54-68. DOI: 10.82600/6kr7-tn14
Sam Coley
Citation: Sam Coley (2026) “BowieArt: I want to sound like that looks”, Riffs: Experimental Writing on Popular Music 9(1): 70-79. DOI: 10.82600/k1cy-nr05
Gavin Butt
Citation: Gavin Butt (2026) “’Seized on the Wing’: The tactics of Art School Pop, a visualised essay”, Riffs: Experimental Writing on Popular …
Richard O’Brien
Citation: Richard O’Brien (2026) “Jeffrey Lewis’s Model of Art-Making: Between Amateur and Auteur”, Riffs: Experimental Writing on Popular Music 9(1): 92-98. DOI: 10.82600/fvdk-kq89
Richard Witts and Ryan Biggs
Citation: Richard Witts and Ryan Biggs (2026) “Deaf School”, Riffs: Experimental Writing on Popular Music 9(1): 100-105. DOI: 10.82600/qtrz-at48