@dilmunite
Writer, art critic, essayist, some kind of curator. Istanbul
Art Basel Debuts in Qatar - The Markaz Review
Behind the Seen: Mona Hatoum on Art and Palestine - The Markaz Review
Hatoum keeps returning to the same question: How is space regulated, surveilled, and colonized?
Featured Artist Ala Younis: Ambiguous Architectures in Abu Dhabi - The Markaz Review
On Bilgé, Time Arrows, and the Indigenous Turn - The Markaz Review
Hope Without Hope: Rojava and Revolutionary Commitment
Syria and the Future of Art: an Intimate Portrait
Following the banishment of Bashar Al-Assad, Syrian artists are starting to return and exhibit new work at home and internationally.
50 Years of Déjà-Vu: Archiving the Gaps of Lebanon��s Unresolved Conflict
The events of April 13, 1975—commonly referred to as the Beirut Bus Massacre—marked the start of brief but deadly armed clashes between Christian Phalangist and Palestinian militants. The
Nabil Kanso’s “Echoes of War:” Remember Past Middle East Injustice
At the Michigan State University Broad Art Museum in East Lansing, the exhibition “Echoes of War” presents the lifework of an artist who received only fragmented attention in life. Despite a prolific output and a rich exhibition history, the Lebanese-American painter Nabil Kanso has remained a marginal figure in contemporary art discourse—until now. After decades of pieces depicting the horrors of war, suffering and autocracy in the Middle East, Kanso’s art is finally coming to life.
In Lebanon, Art and Culture Respond to Another Moment of Intense Upheaval
Under Israeli bombardment, cultural life in Beirut abruptly shut down, a pattern the city's artists and institutions have been familiar with since the civil war. Yet as always in Beirut, the story was also more complex than just closure.
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen's Glyptotek
Lin May Saeed
War Again Shatters Life in Beirut, a Cultural Hub Constantly on Edge
The resilience and defiance that defined other moments in recent Lebanese history have transformed into a nervous but tragic acceptance of the facts.
Beyond Rubble—Cultural Heritage and Healing After Disaster
Une histoire de l'art bleue autour des océans - Le Quotidien de l'Art
En écho au champ des blue humanities, une histoire de l’art bleue infiltre la théorie de l’art en France. Comment les artistes s’emparent-ils de l’océan comme objet de pensée et de création ?
Biennale Gherdëina : rester sauvage - Le Quotidien de l'Art
« Le résultat est une scénographie de la nature », conclut la voix off du court-métrage Landscape Depressions (2023) de l’artiste grecque Janis Rafa. Dans le film, il n’y a aucun dialogue. Les humains, plongés dans un sommeil profond, sont les sujets passifs d’un monde où les animaux ont pris possession du paysage. Pourtant, l’histoire est celle d’interventions humaines à grande échelle – elle se déroule dans un lac artificiel au nord de la Grèce, où le paysage en apparence naturel résulte de…
Abdullah Al Saadi / Hassan Sharif : la magie dans l'ordinaire - Le Quotidien de l'Art
Le travail de l'artiste émirati Hassan Sharif (1951-2016) a largement influencé une génération d'artistes conceptuels du Golfe. Son cadet Abdullah Al Saadi, présenté cette année à la biennale de Venise, livre les clés de ce subtil dialogue.
Life Along Istanbul's Byzantine Walls, a Review
À propos de trois œuvres présentées à la biennale de Venise - Le Quotidien de l'Art
Anu Põder, Edith Karlson, Kris Lemsalu : la liberté de trois artistes estoniennes - Le Quotidien de l'Art
Depuis le calvaire de la cathédrale de Tallinn, achevé en 1694 par Christian Ackermann – un chef-d'œuvre baroque de sculpture sur bois, représentant la Crucifixion en dramatiques tons noir et or –, les Estoniens ont acquis une longue réputation de maîtres sculpteurs, travaillant principalement l'argile et le bronze. Pendant l’ère soviétique, le réalisme socialiste estonien a souvent pris des tournures étranges, les artistes venant subtilement intégrer certains éléments de l'art occidental au…
Remembering Yvette Achkar, Lebanon’s Pioneering and Enigmatic Abstract Painter
A towering figure in Lebanon’s art scene whose influence extended throughout modern Arab art, 96-year-old Lebanese painter Yvette Achkar has died.
Art contemporain et archéologie : faire résonner la terre - Le Quotidien de l'Art
How Egyptian Artist Wael Shawky Excavates History, Memory and Myth
Paris, Abstraction and the Art of Yvette Achkar
The Myth of the West: A Discontinuous History
The Suspended Future of Varosha
The Oath of Cyriac: Recovery or Spin?
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Meditations on Occupation, Architecture, Urbicide
Arqueología de la guerra
Istanbul/Beirut: “We were waiting for the apocalypse and the apocalypse finally came.”
The Archaeology of War
Antioch’s real heritage is the lives of its peoples and their pasts
Antioch is a city geologically and environmentally complex and without parallel
Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan
Se l’arte contemporanea incontra l’archeologia, è la Calabria di In-Ruins 2023 | EcodelloJonio.it
Traveling Through Turkey With Gertrude Bell and Pat Yale
On Museums and the Preservation of Cultural Heritage
A Farewell to the Birds
The Ghost of Gezi Park—Turkey 10 Years On
Newly Re-Opened, Beirut's Sursock Museum is a Survivor
On Lebanon and Lamia Joreige’s “Uncertain Times”
Etel Adnan's Sun and Sea: In Remembrance
The Stargazer: Archaeology, Classics and Contemporaneity
A Mourner’s Meal - Sententiae Antiquae
Blog: Antioch in Ruins: An Interview with Arie Amaya-Akkermans | Society for Classical Studies
Dispatch from Antioch: Greek and other minorities in the Turkish earthquake, Neos Kosmos
Deprem kültürel mirası da vurdu, Gazete Kadiköy
Like a Bird on Barbed Wire, Hyperallergic
Argo Navis & the Abolished Constellations, Sententiae Antiquae
For Those Who Dwell in Tents, Home is Temporal—Or Is It?, The Markaz Review
Letter From Turkey—Antioch is Finished, The Markaz Review
The Charonion: Antioch’s Gate to the Underworld - Perambulation
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