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Contemporary Art and Criticism from the South and Caribbean
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"Junebug" at the Plaza Theater Tickets
FILM INFO: On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.ABOUT BURNAWAY:Burnaway is an Atlanta-based nonprofit magazine of contemporary art and criticism from the American South and the Caribbean. With a base of award-winning writers based in the South, the Caribbean, and global art hubs, we publish online weekly and in print annually. Through our editorial program, cultivation of emerging arts writers, and artist projects, Burnaway connects the dots between artists, the places they are from, and broader art ecosystems. Learn more at burnaway.org. Starring Amy Adams, Embeth Davidtz, Ben McKenzie
Book//Zine 002 Application
Join us on October 24 from 11AM-5PM at Goat Farm for Book//Zine, our annual art book and zine fair.
MYTH, the 2026 Burnaway Reader
MYTH, Burnaway's seventh annual print reader, expands on how historical belief and current events merge into contemporary archetypes for art and artists in the South and the Caribbean.
Support Burnaway!
RECENT
Land of the Free: In Conversation with Edward Buckles Jr. and Eric Waters
Yashi Davalos speaks with New Orleans-based filmmaker Edward Buckles Jr. and photographer Eric Waters about legacy and perception of time in Buckles' new multimedia projection series Land of the Free at The Ford Plant in Arabi, Louisiana.
The Summer I Lay Dying by Jasmine Amussen
In our inaugural STORM SIGNAL theme release, Jasmine Amussen discusses The Summer I Turned Pretty's hallucinatory, yet Southern Gothic, qualities, and compares the hit show to William Faulkner's 1930 novel As I Lay Dying.
Sumac Cottage in Greensboro, Alabama | DIY Index
Clare Hu: The Haptic Optics of Overshot Weaving
Courtney McClellan examines reproduction, materiality, and legacy in New York-based, Georgia-born artist Clare Hu's weavings.
In the Studio with Casey Engel by Merin McDivitt
Merin McDivitt visits the studio of Asheville-based artist Casey Engel whose ceramic, fiber, and paper works resemble artifacts from an extraterrestrial world.
Caribe Por Venir at MAC, San Juan
Looking Back— Conspiracy
interrogates the experiences that construct our lives, systems of relation, and landscapes across the South.
Hush & Holler Tote Bag!
Limited edition Hush & Holler tote bag featuring Justin Chance's quote from "Grandpa, Disney". 100% cotton canvas, 20"W x 15"H x 5"D. Printed in Atlanta, GA.
Wrangle Cowboy Poker Set by Shawn Campbell
Discover Burnaway Artist Editions featuring Shawn Campbell's Wrangle - a limited cowboy poker set with cards, chips & figurines. Edition of 50.
Pitching to Burnaway
A nonprofit magazine of contemporary art and criticism, published online weekly and in print annually. Burnaway covers the artists, ideas, and exhibitions shaping the Southern US and the Caribbean. Meet the staff or learn how to pitch us.
BURNAWAY
Get your copy of our 2024 Reader, by hook!
In the fifth edition of Burnaway's Reader, we contemplate dubious choices, examine inherited histories, and grapple with shifty codependence between people and place in the South.
Burnaway To Do List
Openings, exhibitions, and art events happening across the Southern US and the Caribbean, updated daily. Burnaway's To Do List is your running guide to what to see and where to go, from Atlanta to New Orleans and beyond.
BECOME A MEMBER TODAY!
Burnaway's coverage of contemporary art across the Southern US and the Caribbean is free for all readers, and it stays that way because of you. Become a member, make a tax-deductible donation, or sponsor our editorial and arts programs.
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The online store for Burnaway, a magazine of Southern contemporary art and criticism.
Burnaway Magazine
Looking at the work of Carlos Garaicoa, and the architectural exhibition Prefabricating Solidarity at Vanderbilt University’s Engine for Art, Democracy & Justice, Alexandra Martinez traces the lived history of postcolonial Cuban architecture.
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