Robin Arble
she/her/reader/writer/teacher
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Formalizing Grief: On Victoria Chang’s Obit - Electric Literature
An obit’s very form announces its most important news. This first, crucial piece of information is already redundant
Transitioning And Social Possibility - Hobart
February Prayer, The last time I saw my PCP, and Names - Philly Poetry Chapbook Review
Last Nights, July 2023 — the tiny
Direct Address — DIALOGIST
Direct Address You sit at your desk, starving, trying to transfer $400 from your savings to your checking account in case the Massachusetts Health Connector refuses to pay for your next 90-day supply of SPI and EST, even though you checked, more than twice, more times than you can reme
"Trans Manifesto" ft. in "____figuration: an anthology of trans writers," ed. L Scully from Gnashing Teeth Publishing
| words that get in your teeth Gender is poetry, but it is also fiction, personal essay, experimental forms, hybridity. The works in this book defy genre, decorum, and biological sex. Within these pages, gender is literature. All forty-one of the selected contributors to this anthology are bending the parameters of language to make room […]
"Trans Sonnet Without Ideation" - 2River
"Look—Look—: A Review of Sage’s 'A Stranger You'" — fifth wheel press
"Letter from the Brooklyn Bridge" – beestung
"John Coltrane: My Favorite Things (Live in Japan, 1966)" - Passages North
Associate poetry editor Abby LaForest on today’s poem: Robin Arble’s “John Coltrane: My Favorite Things (Live in Japan, 1966)” is a poem that brings readers to its knees with the sheer joy of what it means to be alive. Each snapshot is a moment documented through the lens of love, care, and affecti
"Of death/the barber: Some Words Around W.C.W." - periodicities: a journal of poetry and poetics
"I" and "TV" - Up the Staircase Quarterly
I
"I go to CVS once a season" - Impossible Task
…to give my voice to a woman / who takes my name & date // of birth to access the two / prescriptions waiting for me
"Mouth" - Rust & Moth
The last time I ever snapped the cap off a bottle of whiskey I smelled your breath the night you kissed me on the mouth. I tried to apologize for never being the son you needed, for all those nights … Read More
"My Gender (Reprise)" and "I turned 22 and realized it's okay" - COUNTERCLOCK
“Sunlight in Late Spring” - ALOCASIA
"at nineteen I was athletic" - Poetry Online
"Mother and Son" - Quarter After Eight (Issue 30)
"I am" - Rejection Letters
"My Gender" - Midway Journal
Review of Stephanie Burt's "We Are Mermaids" - Heavy Feather Review
five prose poems - talking about strawberries all of the time
"First Nights" - Roi Fainéant Press
"Roots" - Two Hawks Quarterly
"Father and Son" and "Commas (II)" - beestung
"Notes on a Poem: Nathan McClain’s Labor Day: Brighton Beach" - Your Impossible Voice
"Hidden Mischief: Some Thoughts on Tate and Edson" - Your Impossible Voice
"Horns," "The Old Woman's Grave," and "How Our Dead Die" - Door Is A Jar (Issue 24)
"The Room" - Overheard Lit
"Commas (I)" - PØST
"The Fair" - Beaver Magazine
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