Now available
Gagosian Quarterly Fall 2026
The Fall 2026 issue of Gagosian Quarterly is now available, featuring a detail of Brice Marden’s The Propitious Garden of Plane Image, Second Version (2000–06) on the cover.
Now available
Thinking About Brice Marden
On the occasion of the publication of Brice Marden: Catalogue Raisonné of Paintings, 1961–2023 this fall and a corresponding exhibition of the artist’s work at Gagosian, New York, we invited Glenn Lowry, a friend of the artist’s and former director of the Museum of Modern Art, to reflect on moments spent with Marden and the enduring power of his art.
Jordan Wolfson and Ottessa Moshfegh
Ottessa Moshfegh, author of the novels My Year of Rest and Relaxation (2018), Lapvona (2022), and more, visited Jordan Wolfson in his Los Angeles studio to get a preview of new works he has been creating for an exhibition in New York this fall.
Alex Da Corte on René Magritte
Ahead of an exhibition on the enduringly influential Belgian artist René Magritte at Gagosian, London, the artist Alex Da Corte welcomed Gagosian director Michael Cary to his studio to discuss the qualities of Magritte’s work that both confound the contemporary moment and offer novel paths into new futures.
Connections and Narratives: On Cady Noland’s ‘‘The Clip-On Method’’
Martin Germann writes on Cady Noland’s 2021 self-published artist’s book The Clip-On Method.
In Conversation
Tyler Mitchell and Cecilia Alemani
On June 29, Tyler Mitchell unveiled Time for a New Sky II, a newly commissioned photograph for a billboard on Tenth Avenue and 18th Street in New York. The project is the latest installment of the High Line Art initiative, the public-art program directed and curated by Cecilia Alemani. Ahead of the installation, Alemani joined Mitchell in his Brooklyn studio to speak about the unique considerations for this project, questions of scale, and his approach to exhibition-making more generally.
Louisiana Channel: Marc-Christoph Wagner and Toby Kidd
Toby Kidd speaks to Marc-Christoph Wagner, a founding editor of Louisiana Channel, about the video platform’s independent relation to Denmark’s Louisiana Museum of Modern Art, memorable artist interviews, and hopes for the future.
Adriana Varejão: Comigo ninguém pode
Adriana Varejão opens her studio to share a view into her working practice as she prepares a series of new paintings and sculptures destined to represent Brazil at the 61st Biennale di Venezia. Later we are welcomed into the Brazilian Pavilion’s Modernist structure as she installs her work. The exhibition’s title Comigo ninguém pode, which can be loosely translated as “nobody can beat me,” is also the name of a plant traditionally placed at the entrance of Brazilian homes as a form of protection. In the Brazilian popular imagination, it embodies a connection between nature and spirituality. Curated by Diane Lima, the Pavilion places Varejão in conversation with fellow Brazilian artist Rosana Paulino, as they reflect on colonial wounds and the rewriting of history in Brazil.
Fall 2026: Crossword Puzzle Solution
Check your answers to the puzzle in the print issue.
Jennifer Guidi: The Secret Life of Landscape
Marjolaine Lévy tracks the development of Jennifer Guidi’s latest paintings, the subject of the exhibition Waterfall at Gagosian, Paris, in September.
High Jewelry: Paris 2026
This past July, the premier jewelers of the world converged in Paris to present their latest High Jewelry collections. From nods to their unique histories to innovative explorations of the craft’s limits, the following presentations showcased dazzling necklaces, watches, rings, brooches, and more.
Fashion and Art: Phyllis Posnick
Phyllis Posnick met with the Quarterly’s Derek C. Blasberg to reminisce about her storied career at Vogue, from assisting Diana Vreeland to working with Anna Wintour and such legends as Irving Penn, Helmut Newton, and Annie Leibovitz to craft some of the most singular images in the magazine’s history.