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  • May We Feed the King: Shortlisted for the Booker Prize 2026

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May We Feed the King: Shortlisted for the Booker Prize 2026


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SHORTLISTED FOR THE BOOKER PRIZE 2026
A SUNDAY TIMES BESTSELLER
WINNER OF THE WATERSTONES DEBUT FICTION PRIZE 2026
AN
OBSERVER BEST DEBUT NOVELIST 2026

BOOKSELLERS ARE SAYING:

"A unique debut executed with richness and perfection" Jack at Waterstones Victoria
"Beautiful, artistic, philosophical, curious and soothing" Helen at Waterstones Leeds
"A story of inspiration, love and finding yourself again" Oleksandra at Waterstones Bishop's Stortford

She is a curator, who spends her time dressing the rooms of historic buildings to bring them to life. But in the lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.

He is a reluctant ruler with no hunger for power, rushed to the throne after the untimely deaths of his older brothers. But it isn't long before whispers begin to fly around the court. And with the growing belief that the King is not fit for the throne comes the idea that another might rule in his stead.

May We Feed the King dances between the lives of a historical subject who risks the future of his kingdom and a woman who turns to the past to hide from her present. Laced with desire and longing, it is a playful, stirring meditation on history and storytelling: on what makes a King 'Great', and a life meaningful.

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From the Publisher

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Text reads "'SPELLBINDING AND STIRRING'" and "SUNDAY TIMES" on black background, appearing as a review quote or testimonial.

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Text reads "'INTRICATE AND UNCANNY AND BEAUTIFUL' SOPHIE MACKINTOSH". Black background with white typography displaying a quote and author attribution.

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Text reads "'ALMOST A FAIRY TALE'" and "FINANCIAL TIMES". Quote and attribution on black background.

Text reads "'READER, I SAVOURED IT... THIS BOOK IS PURE MAGIC'" and "BIG ISSUE". Black background with white text displaying reader testimonial and publication name.

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Product description

Review

"Almost a fairytale... Perry's novel is a sly and suggestive commentary on the act of historical novel writing itself" ― Financial Times

"
A highly wrought puzzle-box of a book... It is as though we, not the long-dead courtiers, are the ghosts, as we creep around the palace peering into its rooms dressed in careful set-pieces, trying to interpret complex and momentous events from the few clues left behind" ― Guardian

"
The historical fiction I have always wanted to read. Surreal and dreamlike... With an eye on the tiny, overlooked details of worlds long gone, this book felt like something hidden come to life - what is real, and what is true, and in the middle of all that, what really matters?" -- Jessie Burton

"
May We Feed The King floored me with the precision of its emotional insights and eccentric view of history-as-narrative... A sort of perfect snow globe, presenting a decadent world in miniature that surprises us with the depth of its reflections on power, yearning and loneliness" -- A. K. Blakemore

"Perry combines effortless exactitude with canny ambiguity to create a novel that is always as stimulating as it is enchanting.
May We Feed the King is a rare achievement, I absolutely loved it" -- Claire-Louise Bennett

"
Meditative, compelling and intricate as a puzzle box - I found myself turning it over and over, admiring and wrong footed and dazzled" -- Kiran Millwood Hargrave

"An artfully told, dizzyingly detailed descent into the murkiness of the past. Perry's prose is needle-sharp, lush as a feast.
A book to devour" -- Lucy Steeds

"A gemlike take on historical fiction, moving between a curator who creates luscious and historically accurate tableaux in historic buildings, and the life of a reluctant king. It's
intricate and uncanny and beautiful" -- Sophie Mackintosh

"I loved this book very much, I know I will return to it and anything else Perry writes,
there is magic here" -- Daisy Johnson

"
May We Feed the King is exquisite, every detail, object, image, and feeling startlingly precise, illuminated from within. I entered the novel easily, and, once there, the world outside its pages faded blissfully away. It was the only place I wanted to be, the only book I wanted to be reading" -- Amina Cain

"An
arresting and daringly imaginative meditation on history, duty, masculinity and the stories we are drawn to. In gorgeously measured prose, the novel sets the historical alongside the fabular to conjure a world of intrigue and detail" -- Daisy Lafarge

"
A small gem. Enchanting and elegant... Brimful of beguiling oddness, it delights in the smallest, most subtle historical details, while delving into the emotional truths nestled in the hearts of the lonely curator and the unambitious, forlorn king" ― Daily Mail

"
May We Feed the King contains a lot of sumptuous writing about sex and desire... spellbinding and stirring" ― Sunday Times

"Elegant, elliptical... This is
a taut and assured first novel which surely marks the beginning of an eminent novel-writing career" ― Irish Times

"Wildly original... Kept me glued to the page" ―
Good Housekeeping

"Perry's style in evoking the royal household, with its intrigues, despair and backstabbing, is poetic and visceral" ―
Herald Scotland

"A beautifully crafted novel of mise en scènes. Perry blurs the lines between historical narrative and modern narrator, shining a light on the inescapable and murky unknowability that permeates how we tell stories of past and present" -- Susannah Dickey

"Funny, sharply sad and full of real love.
Majestic" -- Ben Pester

"The narrative floats between the present and an imagined past in which a reluctant young king and his attendant move through a palace thick with unease and bound by rituals. Characters' names are withheld and time is unstable. What feels real is texture: the feel of air in a room, the glint of light on an elaborate feast" ―
Observer

"
May We Feed the King feels like a love story between the present and the past, especially when it returns to the curator and considers both the intimacy and the loss involved in recreating history... We witness two kinds of resurrection: that found in the art of fiction and that found in the art of curation, both bringing the dead vividly back to life" ― Times Literary Supplement

"[An] elegant, elliptical debut... This is a taut and assured first novel which surely marks the beginning of an eminent novel-writing career" ―
Irish Times

"In her vivid debut novel, Rebecca Perry tests the limits of history... Perry stages a rich feast of images and ideas" ―
Observer

"Exquisite... This book is sheer magic - let it bewitch you into roaming the King's inner chambers, fever burning in your heart" ―
Big Issue

"An exquisite debut novel that ghosts over the past and present with sympathetic longing. Reader, I savoured it... Perry captures the King and his entourage with delicious attention...
This book is sheer magic - let it bewitch you into roaming the King's inner chambers, fever burning in your heart" ― Big Issue

"Among gorgeous descriptions of scenes from courtly life, both as it was lived at the time and later reconstructed as historical artefact, this artful novel's dual narratives leave readers contemplating the allure of the artificial, power and escapism, as well as which histories survive and why" ―
Konfekt

"Refreshingly different... Perry entices us to watch events dispassionately, much as secret observers might, slowly revealing the underlying mystery, even the inklings of a love story" ―
Historical Novels Review

"Strange, expansive and
unlike anything else published this year" ― Mr Porter

"An intelligent reimagining of historical fiction" ―
The Times

"Exquisite... A highly original debut. I adored it" -- Elizabeth Day

"This is a conception of history in which nothing is absolute, in which intervention - no matter when it takes place - alters the story...
Dreamlike... Perry reveals flashes of a life without ever letting us think we can see the whole picture" ― Literary Review

Book Description

SHORTLISTED FOR THE BOOKER PRIZE: A medieval King who resists the crown, stifling the nation, and the reclusive curator commemorating his reign: a breathtaking dual narrative and a disarming reflection on power and inertia, from an award-winning poet.

Product details

About the author

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Rebecca Perry
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Customer reviews

3.9 out of 5 stars
539 global ratings

Customers say

Customers find the book an enjoyable and delightful read with great writing. The story receives mixed reactions from customers.
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12 customers mention readability, 9 positive, 3 negative
Customers find the book enjoyable and delightful, with one customer noting it's a breeze to read.
...An odd little story, but strangely compelling.Read more
MAY WE FEED THE KING astonished me. An incredible debut novel from one of my favourite poets.Read more
...If so, it’s all rather sad, but still boring....Read more
This is an intriguing short book about a woman who stages properties for events so that they look authentic and of the period....Read more
5 customers mention writing quality, 4 positive, 1 negative
Customers praise the writing quality of the book.
Great writing. Loved the use of metaphors. Found the ending a little anti-climatic.Read more
...There's no doubt it's well-written and full of interesting detail, but I found it a confusing and ultimately unsatisfactory read....Read more
Beautifully written and a completely unique story/structure....Read more
...It's a good idea but a bit slight if well written.Read more
5 customers mention story, 2 positive, 3 negative
Customers have mixed reactions to the book's story, with some appreciating its unique structure and historical approach, while others find the ending anti-climatic.
...An odd little story, but strangely compelling.Read more
Good and quite a surprising read. Historical story with a difference. Enjoyed it.Read more
Great writing. Loved the use of metaphors. Found the ending a little anti-climatic.Read more
Beautifully written and a completely unique story/structure....Read more

Top reviews from the United Kingdom

  • 4 out of 5 stars
    Good read
    Reviewed in the United Kingdom on 21 September 2026
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    Great writing. Loved the use of metaphors. Found the ending a little anti-climatic.

    3 people found this helpful
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  • 5 out of 5 stars
    Intriguingly different
    Reviewed in the United Kingdom on 18 August 2026
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    May We Feed the King is of those strange books that leave you wondering how anyone could ever have dreamt up that story. Which is to say that it's different to anything else I've ever read. Good different, but definitely different.

    The story is in three parts. In the first, our unnamed narrator's job is to curate scenes in medieval buildings. Her technique is to immerse herself in the history and archives of the place in question before deciding on a scene that, if successful, will look as though one of the past inhabitants has just left the room. As such she spends a lot of time with the archivist, and a mutual attraction slowly develops.

    The middle section is the story they find in the archives, of a king who never expected or wanted the role. As the third son he was content in his role until his brother succumbed to an illness, and suddenly the throne is his. The reign of this reluctant king unfolds, leading to the final section which mostly comprises a description of the scenes created by the curator, and the reaction to it.

    An odd little story, but strangely compelling.

    5 people found this helpful
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  • 3 out of 5 stars
    Worth reading.
    Reviewed in the United Kingdom on 29 August 2026
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    I thought it was a slow starter. I persevered and was glad I did.

    3 people found this helpful
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  • 4 out of 5 stars
    Something different.
    Reviewed in the United Kingdom on 31 August 2026
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    Good and quite a surprising read. Historical story with a difference. Enjoyed it.

    One person found this helpful
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  • 5 out of 5 stars
    A beautiful, poetic read.
    Reviewed in the United Kingdom on 9 February 2026
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    Beautifully written and a completely unique story/structure. The prose is elegant and graceful, and at all times you are drawn into the world of the book, both in the present and the past.

    4 people found this helpful
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  • 3 out of 5 stars
    Baffling book
    Reviewed in the United Kingdom on 23 September 2026
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    This debut novel has been praised by critics and shortlisted for the Booker Prize. There's no doubt it's well-written and full of interesting detail, but I found it a confusing and ultimately unsatisfactory read. I found myself getting bored about halfway through and should have stopped there, but I carried on in hope of a resolution which was not forthcoming. I can appreciate ambiguity with the best of them but this book is so dense it that it just became annoying.

    3 people found this helpful
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  • 4 out of 5 stars
    Why, I cannot say
    Reviewed in the United Kingdom on 27 September 2026
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    I literally just scratched my head as I started to write. What to say about a book I galloped through - short book short chapters -with a compelling narrative. But a narrative about what, I cannot really say. There are two main characters - the curator of scenes in historic buildings and a long dead king who lived in the palace of her latest commission.

    I am left with impressions - the expectations of others, the need to pursue one's own vision, the loss of things past, the unknown unknowns and I feel strangely affected by all of that. Why, I cannot say

    2 people found this helpful
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  • 5 out of 5 stars
    An enjoyable read
    Reviewed in the United Kingdom on 14 March 2026
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    Loved the beautiful descriptive writing and the way the story was weaved between today and the past. This is a enjoyable read

    7 people found this helpful
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Top reviews from other countries

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  • 5 out of 5 stars
    absolutely delightful
    Reviewed in India on 16 September 2026
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    Reading this book was a breeze, prose so brilliant that it keeps you immersed. Hopefully this gets shortlisted for Booker

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  • 5 out of 5 stars
    Beste literatuur van 2026
    Reviewed in Belgium on 11 June 2026
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    Beste korte novel tot nu toe van 2026. Intrigerend, eigenzinnig en uitputtend goed.

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