'Sinners' towered over the box office again, with ticket sales declining a mere 6% from its $48 million start.
The series bosses talk Penn Penn Badgley's "horrific" final moment and the twists of the finale.
Jesse Plemons is headed to Panem. The acclaimed actor has joined the cast of “The Hunger Games: Sunrise on the Reaping” as a young version of Plutarch…
All seemed normal in the first 98% of Sunday’s broadcast of “60 Minutes” on CBS. But the remaining 2% may have shocked viewers. In the show’s “Last Minute” segment…
TV
‘Dark Winds’ Season 3 Finale: Unpacking the Emotional Ending, What’s in Store for Joe and Emma in Season 4 and Using George R.R. Martin’s Train for the Suspense-Filled Showdown
SPOILER ALERT: This story contains spoilers for the Season 3 finale of “Dark Winds.” Season 3 of AMC’s mystery series “Dark Winds” uncovered even more layers of…
TV
How 'The Last of Us' Team Pulled From the Game to Create the Show's Murderous Cult
Introducing the Scars: The insidious cult will immediately be familiar to fans of the video game
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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘The Accountant 2’
Ben Affleck's autistic action savant makes a winning return in a thriller that improves on the first 'Accountant's' messiness. With scenes that sprawl enjoyably, it's the action film as hangout movie.
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‘Sinners’
In Ryan Coogler's lush, enveloping from-dusk-till-dawn vampire epic, Michael B. Jordan plays criminal twins who set up a juke joint in '30s Mississippi. A look at the wages of sin in Black America.
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‘On Swift Horses’
A queer drama that explores coming out in the 1950s. Jacob Elordi and Will Poulter are brothers, and Daisy Edgar-Jones a conflicted bride, in a movie that's too often tidy and artificial-feeling.
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‘The Shrouds’
David Cronenberg makes a movie about grief (and digital gravestones) that verges on somber self-parody. Vincent Cassel plays a Cronenberg surrogate like the Boris Karloff of Eurotrash death fetishism.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
How the 'Sinners' Financing Model Offers Salvation for All Producers
Ryan Coogler's vampire horror film is biting into the box office, but it's his backend deal that's all the buzz
Awards
Academy Sets New Oscar Rules
You need to watch all nominated films to vote in a category.
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Politics
The Magazine
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George Clooney and Patti LuPone Get Honest About Broadway Pay, Surviving the Trump Era and Elon Musk: ‘Isn’t He Destroying the Government?’
By Andrew Wallenstein
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Noah Wyle Was Nearing a ‘Nervous Breakdown.’ Then Came ‘The Pitt’: It’s ‘Infuriating We Can’t Come to a Consensus’ on Masks and Vaccines
By Andrew Wallenstein
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How Charlamagne Tha God Built His Empire and Is Using His Platform to Lift Up Black Artists: ‘If What You Build Only Benefits You, It’s Not Big Enough’
By Andrew Wallenstein
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Netflix’s Ted Sarandos Isn’t Done Disrupting Hollywood: On Winning the Streaming Wars, a Marvel ‘Fistfight’ and Defending Meghan Markle
By Andrew Wallenstein
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In Dark Winds Season Finale, Leaphorn Once Again Got His Man, But Is Left to Ponder All He Has Lost
