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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘A Minecraft Movie’
Jason Momoa and Jack Black bro it up in a genially weightless video-game quest. The movie never stops goofing on itself, which is its appeal and its limitation.
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‘A Working Man’
In a competent but forgettable rehash from 'The Beekeeper' director David Ayer, Russian sex traffickers kidnap the wrong girl, unleashing stop-at-nothing vengeance from Jason Statham.
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‘The Friend’
Naomi Watts inherits a Great Dane in a dog movie that's a by-the-numbers crowd-pleaser, though with more on its mind than your typical canine-centric tearjerker.
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‘Hell of a Summer’
Finn Wolfhard's co-directing debut is a cut above. It strikes a balance between laughter and suspense in a 'Friday the 13th'-inspired slasher comedy, with Fred Hechinger as a nice guy named Jason.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
Why the Theatrical Window Debate at CinemaCon Feels Hopeless
As if meeting consumers in every accessible market and keeping film slates diverse after bunk Q1 wasn't challenging enough
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