How the Louvre’s Leonardo Blockbuster Shows a Master’s Progress
Eight highlights from the exhibition plot Leonardo da Vinci’s trajectory as an artist and show the breadth of his talents.

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Eight highlights from the exhibition plot Leonardo da Vinci’s trajectory as an artist and show the breadth of his talents.
By FARAH NAYERI
A new reserve group, inspired by the Monuments Men of the World War II era, will aim to protect antiquities and important cultural sites in war zones.
By RALPH BLUMENTHAL and TOM MASHBERG
In HBO’s “Catherine the Great,” Mirren portrays the 18th-century Russian empress at the height of her powers.
By JULIA JACOBS
The Beyoncé Mass explores how issues of race and gender impact the lives, voices and bodies of black women. (It’s not, however, about worshiping Beyoncé.)
By BILL FRISKICS-WARREN
As some institutions shy away from oil and gas money, the prestigious music event has a new sponsor: Gazprom.
By ALEX MARSHALL
This revival of Gluck’s “Orfeo ed Euridice” opened as one of the Met’s popular new Sunday matinees, a welcome series that may also be straining the company.
By ANTHONY TOMMASINI
Gerard Alessandrini’s franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.
By BEN BRANTLEY and JESSE GREEN
The Tulsa Race Riot of 1921, depicted in Sunday’s series premiere of “Watchmen” on HBO, was one of the worst outbreaks of racial violence in American history.
By JENNIFER VINEYARD
The lawsuit, filed by a woman who served Mr. Gooding at a Manhattan nightclub, said the actor pinched her buttocks and repeatedly tried to touch her again.
By JULIA JACOBS