
critics’ pick
Review: ‘Forbidden Broadway’ Sticks It to the Great Woke Way
Gerard Alessandrini’s franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.
By Ben Brantley and
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Gerard Alessandrini’s franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.
By Ben Brantley and

The “Arrested Development” actress made quite the New York stage debut, repeating one fiery scene opposite about 100 different actors in “The Second Woman.”
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This jubilant production, choreographed by Annie-B Parson, transforms an icon of alienation into a cosmically cozy senior statesman.
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With recovery no longer so secret, a new wave of plays dealing with its realities has started to emerge. Some of the playwrights have drawn from their own lives.
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The legendary stage actress’s character was shaped as much by the roles she lost as those she won. These are some of the ones that got away.
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The actress on her hard-won tough-as-nails reputation, “Evita” and the changing nature of celebrity.
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Michael Mayer’s revitalizing revival of this genially gruesome classic becomes a sly morality tale for the age of universal celebrity.
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Adam Rapp’s play transfers to Broadway in a rivetingly dark and detailed production by David Cromer.
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Focusing on the entertainer’s early years, this Paper Mill Playhouse musical offers buoyant tap numbers but sidesteps the material’s most troubling implications.
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