
The Life of Cameron Douglas, From Privilege to Prison and Back
In his memoir “Long Way Home,” Michael Douglas’s oldest son examines the “demented death wish” that drove him to drugs and crime, shining a light on his famous family along the way.
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In his memoir “Long Way Home,” Michael Douglas’s oldest son examines the “demented death wish” that drove him to drugs and crime, shining a light on his famous family along the way.
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“Collected Poems of Bob Kaufman” showcases the poet’s distinctive and subversive voice, and Reginald Dwayne Betts’s sensitive third collection, “Felon,” finds the writer in transition.
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He brought a brash style to coverage of the rock world in the late 1960s and ’70s, then applied similar skills to novels and books on Dean Martin and Sonny Liston.
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“The Fire Is Upon Us,” by Nicholas Buccola, is at once a biography of two leading American intellectuals and an in-depth look at their legendary 1965 debate over civil rights.
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Her latest Crime column features a cold case for Michael Connelly’s Harry Bosch and whodunits from Susan Isaacs, Charles Todd and Deborah Crombie.
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A new exhibit at the New York Public Library offers an unprecedented glimpse into the novelist’s creative process and private life.
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Williams talks about his new memoir, “Self-Portrait in Black and White,” and Stephen Kinzer discusses “Poisoner in Chief: Sidney Gottlieb and the CIA Search for Mind Control.”

All the lists: print, e-books, fiction, nonfiction, children’s books and more.
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Farrow writes that NBC tried to shut down his reporting about sexual assault and harassment allegations against the Hollywood producer.
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The rock star’s memoir, “Me,” traces his path from suburban homebody to superstardom and beyond.
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“The Man Who Saw Everything,” which was longlisted for the Booker Prize, looks at masculinity through the perspective of a young historian who sneers at “authoritarian old men.”
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Andrew Marantz weaves together profiles of online extremists with his memorable and often surreal reporting experiences.
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Ben Lerner’s third novel draws on autobiographical details, like his previous two did, but offers a more conventional plot about a family in Kansas and the coarsening of political language.
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